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Matthew Gregory Lewis (9 July 1775 – 14 or 16 May 1818) [1] was an English novelist and dramatist, whose writings are often classified as "Gothic horror". He was frequently referred to as "Monk" Lewis, because of the success of his 1796 Gothic novel The Monk. He also worked as a diplomat, politician and an estate owner in Jamaica.
Gothic literature is strongly associated with the Gothic Revival architecture of the same era. English Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period, marked by harsh laws enforced by torture and with mysterious, fantastic, and superstitious rituals.
As the century progressed, "graveyard" poetry increasingly expressed a feeling for the "sublime" and uncanny, and an antiquarian interest in ancient English poetic forms and folk poetry. The "graveyard poets" are often recognized as precursors of the Gothic literary genre , as well as the Romantic movement.
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Clara Reeve, The Old English Baron (1778) Aleksey Mikhailovich Remizov, The Sacrifice (1909) and Sisters of the Cross (1910) Władysław Stanisław Reymont, The Vampire (1911) G.W.M. Reynolds, Faust (1846), Wagner the Wehr-wolf (1847) and The Necromancer (1857) Anne Rice, Interview with the Vampire (1976)
Northanger Abbey (/ ˈ n ɔːr θ æ ŋ ər / NOR-thang-ər) is a coming-of-age novel and a satire of Gothic novels [1] written by the English author Jane Austen.Although the title page is dated 1818 and was published posthumously in 1817 with Persuasion, Northanger Abbey was completed in 1803, making it the first of Austen's novels to be completed in full. [2]
The Castle of Otranto is the first supernatural English novel and is a singularly influential work of Gothic fiction. [1] It blends elements of realist fiction with the supernatural and fantastical, establishing many of the plot devices and character types that would become typical of the Gothic novel: secret passages, clanging trapdoors ...
The Monk is one of many Gothic novels that criticises the Catholic Church and Catholic tradition. By the time of the Gothic novel, the English were, to some extent, institutionally anti-Catholic. Characters such as the wicked abbess, the unchaste nun, and the lascivious monk represent the naked anti-Catholicism projected by the Gothic. [49]
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