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The Cleveland Ballet was founded in Cleveland in 1972 by Dennis Nahat and Ian Horvath as a dance school, the School of Cleveland Ballet. [1] It was the second incarnation of the Cleveland Ballet, having been preceded a ballet company of the same name founded in 1935 and succeeded by another founded in 2014.
By 2007, still led by founding artistic director, Dennis Nahat, there was a resident company of 44 dancers from 14 countries in four continents, with a repertoire of over 120 traditional and modern classical ballets. Performances at the San Jose Center for the Performing Arts are accompanied by the Symphony Silicon Valley.
Dennis Nahat: Johannes Brahms: Willa Kim: 10 December 1969 A Brahms Symphony Lar Lubovitch: Johannes Brahms: 3 March 1995 The Brahms-Haydn Variations Twyla Tharp: Johannes Brahms: Santo Loquasto: 21 March 2000 Brief Fling Twyla Tharp: Michel Colombier, Percy Grainger: Isaac Mizrahi: 28 February 1990 The Bright Stream: Alexei Ratmansky: Dmitri ...
After tryouts at the Delacorte Theater in Central Park in the summer of 1971 and twenty previews, the Broadway production, directed by Mel Shapiro and choreographed by Jean Erdman replaced by Dennis Nahat for Broadway and London productions, opened on December 1, 1971 at the St. James Theatre, where it ran for 614 performances.
Directed again by Peter Wood, with choreography and staging by Dennis Nahat and original music by Claus Ogerman, it featured Brian Bedford and Jill Clayburgh. [3] Bedford won the Drama Desk Award , Outstanding Performance.
The Danish choreographer Flemming Flindt created a version for Dennis Nahat and the Clevelend-San Jose Ballet. The principal role was performed by Rudolph Nureyev at the world premiere at the Edinburgh Festival in the summer of 1990.
She has danced under choreographers George Balanchine, Dennis Nahat, Ian Horvath, Margot Sappington, Ana Garcia, John Butler, Choo San Goh, and Louis Falco. [6] Guadalupe has toured North America, South America, Asia, and Europe as a Principal Dancer. [4]
Guenther's death "was a wake-up call for everyone," causing ballet companies to treat eating disorders as a "top priority." [17] Immediately after her death, some American ballet companies said they would change their policies or offer extra information about eating disorders. [6]