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User contributed sound recordings released under Creative Commons licenses. From field-recordings to sound fx, drum loops and musical instrument samples. CC0, CC BY, CC BY-NC Samplibrary: No Yes Custom HD 96khz 24 bit wav recorded sounds with ongoing free new sounds and The Suggestion Engine where creators can request sounds Royalty Free
A sampler is an electronic musical instrument that records and plays back samples (portions of sound recordings). Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron.
MSPS plug-in sound board, supported by Motif series, MU series, S series, CS6x/CS6R, etc.. [40] PLG150-AN — Analog physical modeling synthesis, similar to AN1x; PLG150-AP — sampling grand piano, based on Yamaha NEW CFIIIS; PLG150-DR — drum sound, equivalent to drum part of Motif; PLG100-DX — plug-in board version of DX7
A calliope (see below for pronunciation) is a North American musical instrument that produces sound by sending a gas, originally steam or, more recently, compressed air, through large whistles—originally locomotive whistles. A calliope is typically very loud. Even some small calliopes are audible for miles. There is no way to vary tone or volume.
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. [ 5 ] [ 6 ] [ 7 ] It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney , Australia.
The Phonogene, a 1940s instrument which plays back sounds from tape loops. In the 1940s, the French composer Pierre Schaeffer developed musique concrète, an experimental form of music created by recording sounds to tape, splicing them, and manipulating them to create sound collages.
Yaybahar sound sample The Yaybahar is an acoustic musical instrument invented by the Turkish musician Gorkem Sen (Turkish: Görkem Şen ), who describes it as a "real-time acoustic string synthesizer ."
The newly designed kit employed mesh heads - the first in the Simmons line to do so - which were tensioned with a standard drum key. The pre-programmed sound bank included classic acoustic kit samples, sounds pulled from vintage Simmons kits such as the SDS-5, as well as world percussion and effect sounds (e.g. handclaps, cowbell, etc.).
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