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Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain.The earliest example of the form is the Batrachomyomachia ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great.
Waldere, Old English version of the story told in Waltharius (below), known only as a brief fragment; Alpamysh, a Turkic epic; Karolus magnus et Leo papa (Carolingian, Latin, before 814) Daredevils of Sassoun ; Bhagavata Purana "Stories of the Lord", based on earlier sources; Lay of Hildebrand and Muspilli (Old High German, c. 870)
Epic originally comes from the Latin word epicus, which itself comes from the Ancient Greek adjective ἐπικός (epikos) deriving from ἔπος (epos), meaning "word, story, poem." [3] The word Epic, throughout the years, has adapted to different meanings that stem far away from its origins. In Ancient Greece, Epic was used in the form of ...
Epyllion is to be understood as distinct from mock epic, another light form. Romantic epic is a term used to designate works such as Morgante, Orlando Innamorato, Orlando Furioso and Gerusalemme Liberata, which freely lift characters, themes, plots and narrative devices from the world of prose chivalric romance.
The host upholds the knight's complaint and orders the monk to change his story. The monk refuses, saying he has no lust to pleye, and so the Host calls on the Nun's Priest to give the next tale. There is no substantial depiction of this character in Chaucer's " General Prologue ", but in the tale's epilogue the Host is moved to give a highly ...
The Rape of the Lock (1712 and 1714) was a gentle mock-heroic, but it was built upon Virgil's Aeneid. Pope applied Virgil's heroic and epic structure to the story of a young woman (Arabella Fermor) having a lock of hair snipped by an amorous baron (Lord Petre).
Mac Flecknoe (full title: Mac Flecknoe; or, A satyr upon the True-Blue-Protestant Poet, T.S. [1]) is a verse mock-heroic satire written by John Dryden. It is a direct attack on Thomas Shadwell, another prominent poet of the time. It opens with the lines: Bust of Mac Flecknoe, from an 18th-century edition of Dryden's poems
Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". [11]