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Chuck Baird (February 22, 1947 – February 10, 2012) [1] was an American Deaf artist who was one of the more notable founders of the De'VIA art movement, [2] [3] an aesthetic of Deaf Culture in which visual art conveys a Deaf world view. [4] [5] His career spanned over 35 years and included painting, sculpting, acting, storytelling, and teaching.
A major point of De'VIA is its differentiation from Deaf Art. Deaf Art is a term encompassing all artists who are Deaf, while De'VIA art can be made by Deaf and hearing individuals, as long as it represents the Deaf experience and perspective. A hearing CODA (Child of deaf adult), for example, could be a contributor to De'VIA. Similarly, a Deaf ...
The Museum of Deaf History, Arts and Culture is also home to the Chuck Baird Art Gallery. [5] Painter Chuck Baird, a graduate of the Kansas School for the Deaf, was a proponent of the De'VIA genre for deaf artists. [6] The museum is home to the Chuck Baird Foundation for the Visual Arts, which promotes and showcases artworks that convey the ...
Chuck Baird, (1947–2012), American painter and performer, one of the founding members of the De'Via Deaf art movement; Bernard Bragg, performer, writer, director, poet, and artist; John Brewster Jr. (1766–1854) portraitist and miniaturist in Connecticut, Massachusetts and Maine in the Federalist period in America [10]
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Deaf artists such as Betty G. Miller and Chuck Baird have produced visual artwork that conveys a Deaf worldview. [53] Douglas Tilden was a famous Deaf sculptor who produced many different sculptures in his lifetime. [54] Some Deaf artists belong to an art movement called De'VIA, which stands for Deaf View Image Art.
Other De'VIA artists include Dr. Paul Johnston, Dr. Deborah Sonnestrahl, Chuck Baird, Guy Wonder, Alex Wilhite, Sandi Inches-Vasnick, Nancy Creighton, Lai-Yok Ho. [ 10 ] When Miller was 50 years old she completely lost her hearing due to a high fever.
Many De'Via works can be defined as resistance art, which is a recent phenomenon in Deaf culture. Betty Miller's piece Ameslan Prohibited (1972) depicts two shackled hands and chopped fingertips; this powerful image encouraged more Deaf people to reveal their childhood experiences of audism and oralism through art.