Search results
Results from the WOW.Com Content Network
A passing tone (PT) or passing note is a nonchord tone prepared by a chord tone a step above or below it and resolved by continuing in the same direction stepwise to the next chord tone (which is either part of the same chord or of the next chord in the harmonic progression).
Changing tones. In music, changing tones (also called double neighboring tones and neighbor group) consists of two consecutive non-chord tones. [1] [2] The first moves in one direction by a step from a chord tone, then skips by a third in the opposite direction to another non-chord tone, and then finally resolves back to the original chord tone.
Non-chord tone. From Wikipedia, the free encyclopedia. Redirect page. Jump to navigation Jump to search. ... Download as PDF; Printable version; Languages. Add links.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
By putting the non-chord tone on a strong beat, (typically the first or third beats of the measure, in 4/4 time) this accents the appoggiatura note, which also delays the appearance of the principal, expected chord note. The added non-chord note, or auxiliary note, is typically one degree higher or lower than the principal note, and may be ...
Bebop scale is a term referring to the practice of adding a note (typically a chromatic passing tone) to any common seven tone scale in order to make it an eight tone scale. Having eight notes enables the primary chord tones to continuously fall on the on-beats when the scale is played sequentially. This is unlike common seven note scales in ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Whereas originally D5 was the nonchord tone in E5-(D5)-C5, here it becomes a chord tone because it is supported by G3 in the bass, and this chord itself is elaborated D5-(C5)-B4, where C5 is the nonchord tone. In music, particularly Schenkerian analysis, a linear progression (Auskomponierungszug or Zug, abbreviated: Zg.