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"At the Name of Jesus" is a hymn with lyrics written by Caroline Maria Noel. It was first published in 1870, in an expanded version of Noel's collection The Name of Jesus and Other Verses for the Sick and Lonely. At the time, Noel herself experienced chronic illness, which persisted until her death.
Aegis is a Filipino rock band formed in 1995. The band is composed of sisters Juliet and Ken Sunot on lead vocals, only-male member Rey Abenoja on vocals and guitar, Stella Pabico on keyboards, Rowena Adriano on bass guitar and Vilma Goloviogo on drums. Mercy Sunot was a member up until her death in November 2024. [2]
Before the lyrics were added, the song's title was "Do The New Thing", possibly referencing Tony Banks' opening keyboard notes, which are heard again in the bridge. According to the behind-the-scenes documentary Genesis: No Admittance , the first lyric Phil Collins wrote out of improvisation was the chorus line "Jesus, he knows me, and he knows ...
Not withstanding the bitter pamphlet war between Augustus Toplady and John Wesley over the correctness of Calvinist versus Arminian theology, [7] there has been speculation by some, that although Toplady was a Calvinist, the edited version of the words, "Be of sin the double cure, Save from wrath, and make me pure," suggests he agreed with the ...
A list of all songs with lyrics about Jesus Christ, where he is specifically the central subject.This category contains both songs referring to specific moments of Jesus's life (birth, preaching, crucifixion) and songs of blessing, rejoicing or mourning where he is portrayed as a religious deity or examined as a cultural figure.
ah, therefore I will not leave Jesus, even when my heart breaks. —from BWV 147, chorale movement no. 6 Jesus remains my joy, my heart's consolation and sap, Jesus fends off all suffering, He is my life's strength, my eyes' lust [voluntarism meaning: reason of being] and sun, my soul's treasure and pleasure; Therefore I will not leave Jesus
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The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.