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Gallery wrap is a method of displaying art wrapped over thick wooden bars so that there are no visible fasteners (such as staples or tacks). This method of stretching and preparing a canvas allows for a frame-less presentation of the finished painting. In contrast, a non-gallery wrap canvas is usually intended to be framed before presentation.
A canvas print is the result of an image printed onto canvas which is often stretched, or gallery-wrapped, onto a frame and displayed. Canvas prints are used as the final output in an art piece, or as a way to reproduce other forms of art.
When a photographer takes a picture then digitally transfers this onto a canvas via inkjet printing, he then stretches this over a stretcher frame. By wrapping the canvas all the way around the frame, known as gallery wrap , the photographer can then hang his picture on the wall, already framed.
Strainer bar frames are usually in the shape of a rectangle, although shaped canvases are also possible. [1] A stretcher frame constructed from strainer bars should not be confused with one constructed from stretcher bars. Strainer bars are fixed to one another with wood glue, nails or staples, often in conjunction.
Finished works can be mounted on scrolls, wet-mounted to canvas, or mounted to background washi paper, then matted and framed. Frequently, the work includes a red seal (chop) and/or some kanji calligraphy indicating the artist's name and information, or important subject matter.
In visual arts, the support is a solid surface onto which the painting is placed, typically a canvas or a panel.Support is technically distinct from the overlaying ground, [1] but sometimes the latter term is used in a broad sense of "support" to designate any surface used for painting, for example, paper for watercolor or plaster for fresco.
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