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Metaphor may also be used for any rhetorical figures of speech that achieve their effects via association, comparison or resemblance. In this broader sense, antithesis, hyperbole, metonymy and simile would all be considered types of metaphor. Aristotle used both this sense and the regular, current sense above. [1]
With an inexact metaphor, however, a metaphier might have associated attributes or nuances – its paraphiers – that enrich the metaphor because they "project back" to the metaphrand, potentially creating new ideas – the paraphrands – associated thereafter with the metaphrand or even leading to a new metaphor. For example, in the metaphor ...
Uses of figurative language, or figures of speech, can take multiple forms, such as simile, metaphor, hyperbole, and many others. [10] Merriam-Webster's Encyclopedia of Literature says that figurative language can be classified in five categories: resemblance or relationship, emphasis or understatement, figures of sound, verbal games, and errors.
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
Catachresis – the inexact use of a similar word in place of the proper one to create an unlikely metaphor; for example (from Rhetorica ad Herennium), "The power of man is short" or "the long wisdom in the man". Charisma – an attribute that allows a speaker's words to become powerful.
Quixotism as a term or a quality appeared after the publication of Don Quixote in 1605. Don Quixote, the hero of this novel, written by Spanish author Miguel de Cervantes Saavedra, dreams up a romantic ideal world which he believes to be real, and acts on this idealism, which most famously leads him into imaginary fights with windmills that he regards as giants, leading to the related metaphor ...
One example is the association of "heaviness" with "difficulty". [2] Likewise, there is a correlation between knowing and seeing forming the primary metaphor knowing is seeing . Understanding an expression such as glass ceiling rests on two such primary metaphors.
James DeMille, in The Elements of Rhetoric, defines metaphor as "an implied comparison between two things of unlike nature, for example, 'The colorful display was a magnet for anybody in the room.'" [1] Using DeMille's example, a critic studying metaphor would explore how normally "display" and "magnet" are not considered synonyms. However, in ...
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