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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Monody, however, is characterized by a single voice with instrumental accompaniment, whereas melody-dominated homophony refers to a broader category of homophonic music, which includes works for multiple voices, not just works for solo voice, as was the tradition with early 17th-century Italian monody. [16]
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
A brace is used to connect two or more lines of music that are played simultaneously, usually by a single player, generally when using a grand staff. The grand staff is used for piano, harp, organ, and some pitched percussion instruments. [1] The brace is occasionally called an accolade in some old texts and can vary in design and style. Bracket
In music, one voice per part (OVPP) is the practice of performing choral music with a single voice on each vocal line. In the specific context of Johann Sebastian Bach 's works it is also known as the Rifkin hypothesis , set forth in Joshua Rifkin 's 1982 article and expanded in Andrew Parrott 's book The Essential Bach Choir . [ 1 ]
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
The highest voice is the first voice or voice 1. The second-highest voice is voice 2, etc. This nomenclature doesn't provide a term for more than one voice on the same pitch. A dropped voicing lowers one or more voices by an octave relative to the default state. Dropping the first voice is undefined—a drop-1 voicing would still have all ...
Both African-American women work songs, African American work songs, and the work song, in general, use the call-and-response format often. It can also be found in the music of the Afro-Caribbean populations of Jamaica, Trinidad & Tobago, Bahamas, Barbados, Belize, and many nations of the diaspora, especially Brazil.