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August 8, 1982: $9,525,306 [35] 33: August 15, 1982: Friday the 13th Part III: $9,406,522: Friday the 13th Part III broke Halloween II ' s record ($7.67 million) for highest weekend debut for a slasher film. [36] 34: August 22, 1982: E.T. the Extra-Terrestrial: $7,684,162: E.T. the Extra-Terrestrial reclaimed #1 in its eleventh weekend of ...
The following is an overview of events in 1982 in film, including the highest-grossing films, award ceremonies and festivals, a list of films released and notable deaths. Highest-grossing films [ edit ]
The Pirate Movie: 20th Century Fox / Joseph Hamilton International Productions: Ken Annakin (director); Trevor Farrant (screenplay); Kristy McNichol, Christopher Atkins, Ted Hamilton, Bill Kerr, Garry McDonald, Maggie Kirkpatrick, Rhonda Burchmore, Chuck McKinney, Kate Ferguson, Catherine Lynch 13 Fast Times at Ridgemont High: Universal Pictures
Release date Title Notes January 29, 1982: Venom: North American theatrical distribution only; produced by Morison Film Group February 12, 1982: Love and Money [note 1] North American theatrical distribution only; produced by Lorimar: March 5, 1982: I'm Dancing as Fast as I Can: April 2, 1982: Some Kind of Hero: April 30, 1982: Partners: May 21 ...
June 4 – Steven Spielberg and Tobe Hooper's horror film collaboration, Poltergeist, is released. June 8 – President Reagan becomes the first American chief executive to address a joint session of the British Parliament .
This is an accepted version of this page This is the latest accepted revision, reviewed on 2 January 2025. 1982 January February March April May June July August September October November December This article is about the year 1982. For other uses, see 1982 (disambiguation). Clockwise from top-left: the Syrian Arab Army and the Defense Companies besiege the city of Hama, killing 350–400 ...
Pages in category "August 1982 events" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. 0–9.
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. [1] The period was when the "high concept" picture was established by producer Don Simpson, [2] where films were expected to be easily marketable and understandable.