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German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
This is a list of women artists who were born in Germany ... Elisabeth Loewe (1924–1996), Post-Expressionist ... German-American painter, art collector and ...
Pages in category "German Expressionist films" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. A. Algol (film)
Hugenberg's cut of the film was released in German cinemas in August 1927. Later, after demands for more cuts by Nazi censors, UFA distributed a still shorter version of the film (2,530 metres, 91 minutes) in 1936, and an English version of this cut was archived in the Museum of Modern Art (MoMA) film library in the
From Morn to Midnight (German: Von morgens bis mitternachts) is a 1920 German silent expressionist film directed by Karlheinz Martin based on the 1912 play From Morning to Midnight by Georg Kaiser. It is one of the most radical films of the German Expressionist movement.
Notable European early film movements include German expressionism (1920s), Soviet montage (1920s), French impressionist cinema (1920s), and Italian neorealism (1940s); it was a period now seen in retrospect as "The Other Hollywood". War has triggered the birth of Art and in this case, the birth of cinema.
Kammerspielfilme (the plural form) formed a German film movement of the 1920s silent film period that was developed around the same time as the more commonly known Expressionist movement in cinema. The Kammerspielfilm was known as the "chamber drama" as a result of the influence from the theatrical form of the chamber play . [ 4 ]
Pages in category "German women artists" The following 99 pages are in this category, out of 99 total. This list may not reflect recent changes. -