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The tarantella is most frequently played with a mandolin, a guitar, an accordion and tambourines; flute, fiddle, trumpet and clarinet are also used. The tarantella is a dance in which the dancer and the drum player constantly try to upstage each other by playing faster or dancing longer than the other, subsequently tiring one person out first.
Tarantella is a ballet choreographed by George Balanchine to Grande Tarantelle by Louis Moreau Gottschalk, arranged by Hershy Kay. The ballet premiered on January 7, 1964, at the New York City Center , performed by New York City Ballet 's Patricia McBride and Edward Villella .
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
Hilaire Belloc's poem "Tarantella" (1929) mimics in words the progress of the dance, culminating in the stillness of death. Online versions of the poem vary: a reliable printed version can be found in The Oxford Book of Modern Verse. [13] In Henrik Ibsen's play A Doll's House, a performance of the tarantella is central to the plot. [14]
The dance, in waltz time, consists of an invitation to the dance and then the dance proper, accompanied by a four-part song. L'esclave : Couple dance widespread in Friuli, partners approach and move away, the woman, holding her apron in her hand, turns while the man circles, snapping his fingers, the dance ending with a series of turns.
Cariñosa or Karinyosa is a well known dance around the Philippines with the meaning of the word being affectionate, lovable, and amiable. The dancers use a handkerchief and go through the motions of hide and seek or typical flirtatious and affectionate movements. The dance comes in many forms but the hide and seek is common in all. [31] Kuratsa
The Malay language, a Malayo-Polynesian language alongside the Philippine languages, has had an immense influence on many of the languages of the Philippines. This is because Old Malay used to be the lingua franca throughout the archipelago, a good example of this is Magellan's translator Enrique using Malay to converse with the native ...
The term "folk dance" is sometimes applied to dances of historical importance in European culture and history; typically originating before the 20th century. For other cultures the terms "ethnic dance" or "traditional dance" are sometimes used, although the latter terms may encompass ceremonial dances.