Search results
Results from the WOW.Com Content Network
Pompeii: The Last Day is a 2003 dramatized documentary that tells of the eruption of Mount Vesuvius towards the end of August 79 CE. [1] [2] This eruption covered the ancient Roman cities of Pompeii and Herculaneum in ash and pumice, killing a large number of people trapped between the volcano and the sea.
"The Fires of Pompeii" is the second episode of the fourth series of the British science fiction television series Doctor Who. It was broadcast on BBC One on 12 April 2008. . Set shortly before and during the eruption of Mount Vesuvius in AD 79, this episode depicts alien time traveller the Doctor (David Tennant) and his new companion Donna Noble (Catherine Tate) on a trip to Pompeii, where ...
A limited series adaptation of the book “A Day of Fire: A Novel of Pompeii” is in development at Amazon MGM Studios, Variety has learned exclusively. The book was written by Kate Quinn ...
The Last Days of Pompeii: 1913 a silent film directed by Mario Caserini and Elioterio Rudolfi The Last Days of Pompeii: 1935 The Last Days of Pompeii: 1950 French film (dir. by Paolo Moffa) The Last Days of Pompeii: 1959 dir. by Mario Bonnard & Sergio Leone: 79 A.D. 1962 written and directed by Gianfranco Parolini and starring Brad Harris: Up ...
Documentary+ currently has a library of over 200 feature-length and short documentary films, including classics, cult favorites, true crime stories, sports films and rock docs.
It was the second English-language adaptation of the book for film or television (previously adapted mainly in Italian; the 1935 RKO film was unrelated to the novel and the 1900 adaptation by Walter R. Booth, while the first cinematic adaptation in English was a short film). On June 5, 2012, Sony released the mini-series on DVD. [1]
An archaeologist works on the recently discovered remains of a victim in the archaeological site of the ancient city of Pompeii, which was destroyed in AD 79 by the eruption of Mount Vesuvius, in ...
The destruction of Pompeii, and specifically, the destruction of a large statue of a Roman athlete in the film, was a metaphor for modern Europe's "perceived decadence." [18] Wyke found that while promotional material for the film praised its historical qualities as education, the content of the film was not focused on historical veracity ...