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Kathryn Elizabeth Morgan (born August 17, 1988) [citation needed] is an American ballet dancer. She joined New York City Ballet in 2006 and was promoted to the rank of soloist in 2009. Morgan left New York City Ballet in 2012 due to health complications related to her suffering from Hashimoto's thyroiditis.
Pages in category "New York City Ballet principal dancers" The following 104 pages are in this category, out of 104 total. This list may not reflect recent changes .
Sean Lavery (August 16, 1956 in Harrisburg, Pennsylvania – February 26, 2018 in Palm Springs, California) [citation needed] was a former principal dancer, balletmaster, and assistant to the balletmaster in chief at New York City Ballet. He was a répétiteur for the George Balanchine Trust and a former faculty member at the School of American ...
She joined the New York City Ballet (NYCB) corps de ballet in 1980, and was featured in a Time article before the end of the year. [2] Kistler was promoted to (NYCB) soloist in 1981 and principal dancer in 1982, the youngest ever at 17 years. Signature roles include Balanchine's Jewels , Agon, Prodigal Son and Symphony in C.
How to eat like a ballerina. Food is fuel. As New York City Ballet principal dancer Unity Phelan told me last Nutcracker season, regularly fueling up with nutritious foods is essential, and ...
A principal may be any gender. The position is similar to that of soloist; however, principals regularly perform not only solos, but also pas de deux as well as headlining performances they participate in. Principal dancers can be hired into a dance company or can also be a company dancer that is a corps de ballet dancer that gets promoted from ...
De Florio and New York City Ballet principal dancer Ashley Bouder will be one of only a handful of mother-daughter duos in the company’s history to perform together when they take the stage ...
Stafford became an apprentice at New York City Ballet in October 1998, and joined the corps de ballet in February 1999. He became a soloist in 2006, and taught in the School of American Ballet as a guest faculty. The following year, he was promoted to principal dancer, and joined SAB's permanent faculty.