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Cited as the "ultimate performance boss" by Korean media, they are known for their EDM-trap-inspired synth-pop sound and adopting the "girl crush" concept in K-pop. Everglow debuted on March 18, 2019 with the single album Arrival of Everglow and its single "Bon Bon Chocolat", quickly earning the nickname of "monster rookies" from domestic media ...
Stylistically, Blackpink are associated with the "girl crush" image in K-pop; Insider wrote that they "[burst] onto the K-pop scene with a set of singles that set them on a path to becoming the ambassadors of the 'girl crush' concept", encapsulating "confidence, sexiness, and inspirational assurance, in the K-pop landscape". [213]
Recognized for breaking the stereotypical K-pop girl-group image, 2NE1 are known for pioneering the "girl crush" concept. In contrast to the "sexy" or "cute" female stereotypes, the group is said to have rewritten history and brought about the expansion of girl group styles in the industry.
The following year, British GQ called it the highlight of 2011 and a game-changer in a decade of K-pop, acknowledging 2NE1 for bringing the genre to the "curious attention of the Western fashion and music media", and regarded "I Am the Best" as the "visual blueprint" for the genre's "feisty" girl crush concept. [26]
4Minute (Korean: 포미닛, often stylized in all caps) was a South Korean girl group formed by Cube Entertainment, [1] consisting of members Jihyun, Gayoon, Jiyoon, Hyuna and Sohyun. [2] The group was known for its edgy dance-pop style and "girl crush" image that attracted a large female fan base. [3] [4]
Kim commented that it displays Badvillain's style but fails to stand out from other girl crush releases. [9] BPM later confirmed that "Hurricane" would be commercially released, first on Korean platforms on June 24 then global platforms on June 26. "Hurricane" is a trap hip-hop song that incorporates synthesizers and heavy bass. [10]
J.M.K from Billboard ranked it 25th on their list of the best K-pop songs of 2019, remarking that the group's "girl crush' concept never felt more visceral". [12] In another Billboard article, staff writer Andrew Unterberger placed the song 66th in the year's best songs and described the production as "practically biblical". [13]
Fanxy Red's style is often described as androgynous or tomboyish, [1] [4] being mentioned in Chinese media as "meishaonian" (美少年) which means "handsome youths". [5] In 2017, Dazed described the group as "cisgender girls, whose hair, make-up and clothes make them look uncannily like Korean boy bands – which don’t really dress like girls, but also don’t really dress like boys."