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Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. 4 Name
Like Bach's other clavier works, these toccatas are frequently performed on the piano. Because of some of the organ-like textures, the pieces are sometimes performed on the organ. [6] In fact, the opening motifs of the BWV 912, 914 and 916 toccatas resemble the ones on the BWV 532, [7] 534 [8] and 541 [9] organ preludes respectively.
Johann Sebastian Bach The Partita for keyboard No. 2 in C minor , BWV 826, is a suite of six movements written for the harpsichord by Johann Sebastian Bach . It was announced in 1727, [ 1 ] issued individually, and then published as Bach's Clavier-Übung I in 1731.
The three most cited sources are Forkel, Bach's first biographer; Friedrich Wilhelm Marpurg, who received information from Bach's sons and pupils; and Johann Kirnberger, one of those pupils. Despite the presumption of equal temperament, research has continued into various unequal systems contemporary with Bach's career; there is debate whether ...
Compositions by Johann Sebastian Bach printed during his lifetime (1685–1750) include works for keyboard instruments, such as his Clavier-Übung volumes for harpsichord and for organ, and to a lesser extent ensemble music, such as the trio sonata of The Musical Offering, and vocal music, such as a cantata published early in his career.
The tonalities of the six Partitas (B ♭ major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B ♭ to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). [5]
The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis. In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). [3]
Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a. Andrés Segovia was famous for his playing arrangements of Bach works transcribed for classical guitar, such as his very difficult Chaconne from the Violin Partita in D minor.
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