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Turkish folk music (Turkish: Türk Halk Müziği) is the traditional music of Turkish people living in Turkey influenced by the cultures of Anatolia and former territories in Europe and Asia. Its unique structure includes regional differences under one umbrella. It includes popular music from the Ottoman Empire era.
Turkish instruments were included in Ludwig van Beethoven's Symphony Number 9, and he composed a "Turkish March" for his Incidental Music to The Ruins of Athens, Op. 113. Wolfgang Amadeus Mozart wrote the "Ronda alla turca" in his Sonata in A major and also used Turkish themes in his operas, such as the Chorus of Janissaries from his Die ...
Template:Turkish musical instruments This page was last edited on 18 April 2024, at 21:02 (UTC). Text is available under the Creative Commons Attribution ...
Pages in category "Turkish folk music instruments" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. B.
The tulum (Laz: გუდა, romanized: guda) is a musical instrument, a form of bagpipe from the Black Sea region of Turkey. It is droneless with two parallel chanters, and is usually played by the Laz , Black sea Turks, Hemshin peoples and by Pontic Greeks , particularly Chaldians.
The musical scale of the bağlama differs from that of many western instruments – such as the guitar – in that it features ratios that are close to quarter tones. The traditional ratios for bağlama frets are listed by Yalçın Tura: [3] Fret 1: 18/17; Fret 2: 12/11; Fret 3: 9/8; Fret 4: 81/68; Fret 5: 27/22; Fret 6: 81/64; Fret 7: 4/3 ...
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[2] Dilli-tuiduk come in two kinds. In one, the reed end of the instrument is closed and in the other it is open. A reed is cut in the upper part of the pipe and 3 or 4 finger holes are cut on the upper part, at intervals of some 5-6mm. Its range is a 6th or 7th, from about fa in the first octave to re or mi in the second.