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The state's R&B recording industry was based in Houston with labels such as Duke/Peacock, which in the 1950s provided a base for artists who would later pursue the electric Texas blues sound, including Johnny Copeland and Albert Collins. [1] Freddie King, a major influence on electric blues, was born in Texas, but moved to Chicago as a teenager ...
Texas first opened at its permanent home in the Pioneer Auditorium on July 1, 1966. [10] In 2003, a new script, titled Texas Legacies, premiered in 2003 and ran through the show's 40th anniversary in 2005. [2] The new show, written by Lynn Hart, was meant to be more historically accurate and focused on different eras of Texas history each year ...
The Texas Music Office (TMO) is a state-funded business promotion office and information clearinghouse for the Texas music industry. [1] It is headquartered in the State Insurance Building in Austin. [2] More than 14,000 individual clients use TMO resources and assistance each year, including more than 8,600 direct referrals to Texas music ...
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The Texas Folklife Festival is an annual event sponsored by the University of Texas at San Antonio's Institute of Texan Cultures celebrating the many ethnicities represented in the population of the state of Texas. Thousands attend the three-day event each year, which features food, crafts, music, and dances from ethnic groups that immigrated ...
Texas was part of Mexico until the mid-19th century, after the Mexican–American War, and its Mexican-American inhabitants played a mixture of ranchera, bolero and polka music called conjunto. To some extent an American version of accordion-led Mexican música norteña, conjunto was popular throughout Mexican communities in Texas.
Among some whites, slave music grew increasingly popular, especially after the American Civil War, when black and white soldiers worked together and Southern slaves fled north in huge numbers. By the end of the 19th century, minstrel shows had spread across the country, and even to continental Europe. In minstrel shows, performers imitated ...
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