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Contact was released on LaserDisc, VHS and the (then new) DVD format in December 1997. Among the special features are three audio commentaries: by director Zemeckis and producer Starkey, by visual effects supervisors Ken Ralston and Stephen Rosenbaum, and by star Jodie Foster. [34] Contact was released on Blu-ray Disc on October 6, 2009 ...
1997 - The Beautician and the Beast; 1997 – The End of Evangelion (Japanese Anime) 1997 – Hercules; 1999 – South Park: Bigger, Longer & Uncut (character with live-action face and live-action posters seen in background) 1999 – Belle's Tales of Friendship (direct-to-video film) 1999 – Fantasia 2000
It includes 1997 films that can also be found in the parent category, or in diffusing subcategories of the parent. This category is for action films released in the year 1997 . It does not include unreleased films.
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In the Journal of Film and Video, Lennart Soberson stated that the action film genre has been a subject of scholarly debate since the 1980s. [3] Soberson wrote that repeated traits of the genre include chase sequences, fights, shootouts, explosions, and stunt work while other scholars asserted there were more underlying traits that define the genre. [3]
MoviePlex originally launched on January 1, 1997 as Plex: Encore 1; [2] it replaced both INTRO Television (originally called TV! Network until September 1995), a cable channel that was launched in June 1994 by Liberty Media (initial owner of MoviePlex through a joint venture with parent company Tele-Communications, Inc.), which aired "sampler" blocks of programming from other cable channels ...
The Contact (Korean: 접속; RR: Jeopsok) is a 1997 South Korean romance film directed by Chang Yoon-hyun. Starring Han Suk-kyu and Jeon Do-yeon , it was the second biggest-grossing Korean film of 1997 with 674,933 admissions, [ 1 ] and was awarded the Grand Bell Awards for best picture.
Review aggregation website Rotten Tomatoes gives the film a score of 57% with an average rating of 5/10 based on 7 reviews. [1]Geoff Andrew from Time Out states: "With its explosive action, black comedy and far-fetched sci-fi imposed on an otherwise vaguely plausible crime thriller, this modest indie film is reminiscent of such low budget '80s exploiters as Tremors and the work of Charles Band.
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