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Betty Cantor-Jackson (born September 18, 1948) is an American audio engineer and producer. She is best known for her work recording live concerts for the Grateful Dead from the late 1960s to the early 1980s, including the Cornell 5/8/77 album. [1]
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. [1]
Hexum became restless during the delay and began playing around to lighten the mood. He had apparently unloaded all but one blank round when, at 5:15pm, he spun the cylinder and, as if playing Russian roulette, put the revolver to his right temple and pulled the trigger. The force of the blank round was sufficient to dislodge fragments of his ...
Playing dead may refer to: Playing dead, a variation of Planking (fad) Playing dead, or apparent death, an animal behaviour "Playing Dead", a track on the 2015 album ...
Dan Healy is an audio engineer who often worked with the American rock band the Grateful Dead. [1] [2] He succeeded Alembic and Owsley "Bear" Stanley as the group's chief sound man after the Wall Of Sound in 1974 and subsequent band hiatus through 1975.
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The best Van Gelder recordings feature wonderful-sounding brass, bass walks, and cymbal shimmers, but one instrument he rarely got right was the piano, which, on most of his albums, sounds hooded. Some engineers suspect this was due to reflections over the piano, brought on by the shape and size of his parents' living room and, later, his studio.
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