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In superpythagorean tunings, the diminished third is narrower than the major second. In the special case of 17 equal temperament , the chromatic semitone and diminished third are in fact represented by the same interval of 141.18 cents, which allows the minor third to be evenly divided in half.
On a musical keyboard, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two frets. In moveable-do solfège, it is the interval between do and re. It is considered a melodic step, as opposed to larger intervals called skips. Intervals ...
For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used.
For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval, where the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used.
The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. (3:2) 2 / 2 , the mean of the major third (3:2) 4 / 4 , and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...
Third interval may refer to one of the following musical intervals in equal-temperament tuning: major third; minor third; augmented third; diminished third; Alternatively, it may apply to neutral third
In modern Western tonal music theory, a diminished second is the interval produced by narrowing a minor second by one chromatic semitone. [1] In twelve-tone equal temperament, it is enharmonically equivalent to a perfect unison; [3] therefore, it is the interval between notes on two adjacent staff positions, or having adjacent note letters, altered in such a way that they have no pitch ...
The Locrian major scale has a circle of four major and two minor thirds, along with a diminished third, which in septimal meantone temperament approximates a septimal major second of ratio 8 ⁄ 7. The other scales are all of the scales with a complete circle of three major and four minor thirds, which since ( 5 ⁄ 4 ) 3 ( 6 ⁄ 5 ) 4 = 81 ...