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Learn to labor and to wait. " A Psalm of Life " is a poem written by American writer Henry Wadsworth Longfellow, often subtitled "What the Heart of the Young Man Said to the Psalmist". [1] Longfellow wrote the poem not long after the death of his first wife and while thinking about how to make the best of life.
The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
The original words as published in “The Spiritual Magazine” in August 1761. Jesus Christ the Apple Tree (also known as Apple Tree and, in its early publications, as Christ Compared to an Apple-tree) is a poem, possibly intended for use as a carol, written in the 18th century. It has been set to music by a number of composers, including ...
Tam o' Shanter (poem) The opening scene of the poem – Tam drinks with his shoemaker friend, souter Johnnie, and flirts with the pub landlady while the landlord laughs at Johnnie's tales. " Tam o' Shanter " is a narrative poem written by the Scottish poet Robert Burns in 1790, while living in Dumfries. First published in 1791, at 228 (or 224 ...
The poem tells of a battered old violin that is about to be sold as the last item at an auction for a pittance, until a violinist steps out of the audience and plays the instrument, demonstrating its beauty and true value. The violin then sells for $3,000 instead of a mere $3. The poem ends by comparing this instrument touched by the hand of a ...
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
In 1971, Les Crane used a spoken-word recording of the poem as the lead track of his album Desiderata. [20] His producers had assumed that the poem was too old to be copyrighted, but the publicity surrounding the record led to clarification of Ehrmann's authorship and the eventual payment of royalties.
Such was the popular mood (remember the queues across the bridges near Westminster Abbey) that the words of the poem, so plain as scarcely to be poetic, seemed to strike a chord. Not since Auden's 'Stop All the Clocks' in the film Four Weddings and a Funeral had a piece of funerary verse made such an impression on the nation. In the days ...