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Samples of Calligraphic Script typefaces Typeface name Example 1 Example 2 Example 3 American Scribe: AMS Euler Designer: Hermann Zapf, Donald Knuth: Apple Chancery Designer: Kris Holmes: Brush Script Designer: Robert E. Smith : Cézanne Designer: Michael Want, Richard Kegler: Coronet Designer: R. Hunter Middleton: Declaration Script: Declare ...
Script typefaces are based on the varied and often fluid stroke created by handwriting. [1][2] They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting.
Aisha (Arabic, Latin) Aparajita (Angika, Bhojpuri, Bodo and other Indian languages) Arek (Armenian, Latin) Arial (Used in English, Arabic, Hebrew and other languages) [ 2 ] Avory (Cyrillic, Greek, Latin) Awami Nastaliq features a more extensive character set than most Nastaliq typefaces, supporting: Urdu, Balochi, Farsi (Iranian Persian ...
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
Antiqua (/ ænˈtiːkwə /) [1] is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. [2] Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur -style typefaces where the individual strokes are broken apart.
The regular script did not become dominant until the 5th century during the early Northern and Southern period (420–589); there was a variety of the regular script which emerged from neo-clerical as well as regular scripts [4] known as 'Wei regular' (魏楷; Wèikǎi) or 'Wei stele' (魏碑; Wèibēi). Thus, the regular script is descended ...
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