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  2. Dominant seventh sharp ninth chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_sharp...

    [12] In jazz, 7 ♯ 9 chords, along with 7 ♭ 9 chords, are often employed as the dominant chord in a minor ii–V–I turnaround. For example, a ii–V–I in C minor could be played as: Dm 7 ♭ 5 – G 7 ♯ 9 – Cm 7. The 7 ♯ 9 represents a major divergence from the world of tertian chord theory, where chords are stacks of major and ...

  3. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

  4. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    A typical sequence of a jazz or rock song in the key of C major might indicate a chord progression such as C – Am – Dm – G 7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord.

  5. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]

  6. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.

  7. Relative key - Wikipedia

    en.wikipedia.org/wiki/Relative_key

    Relative tonic chords on C and A (Play ⓘ). Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 (Play ⓘ with half cadence, Play ⓘ with PAC) transitions from FM to its relative minor dm through the inflection of C ♮ to C ♯ between the second and third chords. This modulation does not require a change of key signature.

  8. Parallel and counter parallel - Wikipedia

    en.wikipedia.org/wiki/Parallel_and_counter_parallel

    In a minor key, where the dominant may be a minor chord, the dominant parallel will be the major chord a minor third above the (minor) dominant. Dr. Riemann...sets himself to demonstrate that every chord within the key-system has, and must have, either a Tonic, Dominant or Subdominant function or significance.

  9. Northern Star (song) - Wikipedia

    en.wikipedia.org/wiki/Northern_Star_(song)

    Print/export Download as PDF; ... The song has a basic sequence of Dm–Am–B ♭ –C as its chord progression. ... Chart (1999–2000) Peak

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