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A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and in other ancient ...
The emphatically classical church façade of Santa Maria Nova, Vicenza (1578–90) was designed by the influential Renaissance architect Andrea Palladio.. During the Italian Renaissance and with the demise of Gothic style, major efforts were made by architects such as Leon Battista Alberti, Sebastiano Serlio and Giacomo Barozzi da Vignola to revive the language of architecture of first and ...
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia , often in forms that bear relatively little resemblance to the original.
The motif then spread to Persia, Egypt and the Hellenistic world, and as far as India, where it can be found on the abacus part of some of the Pillars of Ashoka or the Pataliputra capital. [ 4 ] Bead and reel motifs can be found abundantly in Greek and Hellenistic sculpture and on the border of Hellenistic coins.
Ancient Egyptian architecture 3000 BC – 373 AD; Ancient Greek architecture 776 BC – 265 BC; Angevin Gothic since 1148, western France; Arcology 1970s AD–present; Art Deco 1925–1940s Europe & US; Art Nouveau c. 1885–1910; 1880s–1920s; UK, California, US; Australian architectural styles; Baroque architecture; Bauhaus; Berlin style ...
The Italianate style was a distinct 19th-century phase in the history of Classical architecture. Like Palladianism and Neoclassicism, the Italianate style combined its inspiration from the models and architectural vocabulary of 16th-century Italian Renaissance architecture with picturesque aesthetics. The resulting style of architecture was ...
Palace of Versailles (1661–1710). The Louis XIV style or Louis Quatorze (/ ˌ l uː i k æ ˈ t ɔːr z,-k ə ˈ-/ LOO-ee ka-TORZ, - kə-, French: [lwi katɔʁz] ⓘ), also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign.
The scholarly approach to the architecture of the ancient coincided with the general revival of learning. A number of factors were influential in bringing this about. Italian architects had always preferred forms that were clearly defined and structural elements that expressed their purpose. [16]