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Indians use resist-dyeing with cotton fabrics. Initially, wax and even rice starch were used for printing on fabrics. Until recently batik was made only for dresses and tailored garments, but modern batik is applied in numerous items, such as murals, wall hangings, paintings, household linen, and scarves, with livelier and brighter patterns.
The Bronze age fabrics are relatively coarse in part due to the coarse wool available from the sheep at the time. The wool had a large amount of kemp (guard hairs). The weaves, however, included both simple plain weave (i.e., tabby weave) and more sophisticated twill weave. Twill woven fabrics have better drape than plain woven ones.
c. 1000 BC – Cherchen Man was laid to rest with a twill tunic and the earliest known sample of tartan fabric. [7] c. 200 AD – Earliest woodblock printing from China. Flowers in three colors on silk. [8] 247 AD – Dura-Europos, a Roman outpost, is destroyed. Excavations of the city discovered early examples of naalebinding fabric.
Whole-cloth quilt, 18th century, Netherlands.Textile made in India. In Europe, quilting appears to have been introduced by Crusaders in the 12th century (Colby 1971) in the form of the aketon or gambeson, a quilted garment worn under armour which later developed into the doublet, which remained an essential part of fashionable men's clothing for 300 years until the early 1600s.
The birth of a grandchild inspired her to apply her quilt making skills to children’s books, a technique she shared in her 2002 book Fabric Picture Books. Later in her career, she was excited by the artistic growth that came from her exploration of making small quilts. [ 12 ]
The book's sequel, Charlie and the Great Glass Elevator, was written by Dahl in 1971 and published in 1972. Dahl had also planned to write a third book in the series but never finished it. [9] The book has also been adapted into two major motion pictures: Willy Wonka & the Chocolate Factory in 1971 and Charlie and the Chocolate Factory in 2005.
Cotton: The Fabric that Made the Modern World (2015) excerpt; Riello, Giorgio. How India Clothed the World: The World of South Asian Textiles, 1500–1850 (2013) Yafa, Stephen (2006). Cotton: The Biography of a Revolutionary Fiber. Penguin Books. ISBN 978-0143037224
The Book of the Dead of Hunefer, c. 1275 BCE, ink and pigments on papyrus, in the British Museum (London). After extracting the marrow from the stems of papyrus reed, a series of steps (humidification, pressing, drying, gluing, and cutting) produced media of variable quality, the best being used for sacred writing. [10]