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Vodun is assimilative, and has absorbed concepts and images from other parts of Africa, India, Europe and the Americas. Chromolithographs representing Indian deities have become identified with traditional Vodun deities and used as the basis for murals in Vodun temples.
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
The word Sujani is a compound word of ‘su’ meaning "easy and facilitating" and ‘jani’ meaning "birth". [2] The motifs sewn on the quilt represented sun and cloud, indicative of life-giving forces, fertility symbols, sacred animals, and mythical animals to protect against evil forces, and to attract blessings from the gods. Use of ...
This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the Chinchini. The weaving of the chinchini is done by the 'Kpaluu', one of the traditional professional in the Dagbon society that has existed until today. The smock made from the Chinchini of Dagbon is the most worn traditional cloth of Ghana.
The other motifs are typical of the older adinkras. It is now on display in the National Museum of Ethnology in Leiden. [12] In November 2020, a school board in York, Pennsylvania, banned "a children's coloring book that featured African Adrinkra [sic] symbols found in fabrics, logos and pottery." [13] The decision was subsequently overturned. [14]
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
The kalka, or paisley motif, originated in Persia and Kashmir and has become an integral part of the subcontinental decorative motif. [21] It can be compared to a stylised leaf, mango, or flame. The kalka is an attractive motif, and a number of variations have been experimented with. Similar motifs can be found in traditional Kashmiri shawls.
Wider regional trends are apparent, and sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. [1] Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies.