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At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]
Horse racing became a popular pastime in 19th century France under Louis-Philippe and Napoleon III. Degas began admiring horses while visiting friends in Normandy. Over the course of his career it is reported that he created 45 oils, 20 pastels, 250 drawings, and 17 sculptures related to horses. Degas was eager to know horses in anatomical ...
Whistlejacket is an oil-on-canvas painting from about 1762 by the ... in a horizontal format "like a ... He was a Thoroughbred race horse foaled in 1749 at ...
The oil painting held at the Art Institute of Chicago is the most widely known version of the work and was created in 1866. While there had been debate about its creation date due to the smudging of the inscription on the work (read variously as 1865 or 1867), [ 3 ] a microscopic examination of the work indicated that the date is 1866. [ 8 ]
The painting, now on display in the National Gallery of Art in Washington, D.C., was exhibited at the 1866 Salon in Paris. Degas painted the work on a large canvas. Horses race from the right to left side. In total, there are four horses, with three jockeys. One of the jockeys has fallen off his horse and lies motionless in the foreground.
Other paintings of horses by Géricault include Officer Hunter Horse of the Imperial Guard Charging (1812) and Race of Free Horses in Rome (1819). [2] This work is a rare and valuable example of painting dated from his travel in England, when Géricault preferred to work in lithography. It was painted for the English horse dealer Adam Elmore.
A painting in Harris’ current exhibit at the Irwin House Gallery in Detroit has gone viral. A painting by an emerging Detroit artist has gone viral for its depiction of critical race theory’s ...
His paintings of race horses, nearly all on commission, are oil-on-canvas. The background is usually non-specific and the horse is centre stage. Palmer's knowledge of the anatomy of a horse was based on practical knowledge but he had studied George Stubbs Anatomy of a Horse in detail according to one of his pupils. [ 16 ]
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