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2. Ottoman (furniture) - Wikipedia

   en.wikipedia.org/wiki/Ottoman_(furniture)

   Over the subsequent generation, the ottoman became a common piece of bedroom furniture. European ottomans standardized on a smaller size than the traditional Turkish ottoman, and in the 19th century they took on a circular or octagonal shape. The seat was divided in the center by arms or by a central, padded column that might hold a plant or ...

3. Agaseke - Wikipedia

   en.wikipedia.org/wiki/Agaseke

   Agaseke is a type of traditional Rwandese woven basket. [1] It is characterized by its flat circular base that is taller than it is wide, with a sloped conical fitted lid. It is traditionally made of native natural fibers in natural off-white colors with naturally-dyed patterns in colors like purple, green, black, yellow, and red.

4. Furniture - Wikipedia

   en.wikipedia.org/wiki/Furniture

   The English word furniture is derived from the French word fourniture, [2] the noun form of fournir, which means to supply or provide. [3] Thus fourniture in French means supplies or provisions. [4]

5. Amphora - Wikipedia

   en.wikipedia.org/wiki/Amphora

   Silver amphora-rhyton with zoomorphic handles, c. 500 BC, Vassil Bojkov Collection (Sofia, Bulgaria) An amphora (/ ˈ æ m f ər ə /; Ancient Greek: ἀμφορεύς, romanized: amphoreús; English pl. amphorae or amphoras) is a type of container [1] with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and ...

6. Fenton Art Glass Company - Wikipedia

   en.wikipedia.org/wiki/Fenton_Art_Glass_Company

   Another type of mark is found on glass baskets. Where the glass handles of the baskets are attached to the base of the basket a stamp is made. [9] Each handler had a specific pattern to help identify which handler attached the handle. [9] The marks began in the 1950s and were instituted by Frank M. and Bill Fenton. [9]

7. Topkapı Palace - Wikipedia

   en.wikipedia.org/wiki/Topkapı_Palace

   These tiles then served as prototypes for the decoration of the Yerevan and Baghdad kiosks. The room itself is symmetrically proportioned and relatively spacious for the palace, with windows, each with a small fountain. The windows above contain some stained-glass panels. On the right side of the entrance stands a fireplace with a gilded hood.