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"Los 12 Discípulos" (English: The 12 Disciples) or "Quítate Tu Pa' Ponerme Yo" (English: Move So I Can Come) is a song by Puerto Rican rapper Eddie Dee featuring various artists from his fifth studio album, 12 Discípulos (2004). It features eleven other reggaeton musicians, who were among the most requested in the genre at the time.
The twelve stanzas may be interpreted as follows: Twelve for the twelve Apostles. This refers to the twelve Apostles of Jesus. Sharp states that there were no variants of this line. [1] Eleven for the eleven who went to heaven. These are the eleven Apostles who remained faithful (minus Judas Iscariot), [1] or possibly St Ursula and her 11,000 ...
The song also identifies and explores racial differences as well as the criminalization of the African American community. [27] [28] "Taladro", ("The Drill"), performed by Eddie Dee in collaboration with Daddy Yankee opens the special edition release of the 12 Discípulos. It was released as the fourth and final single off the album.
The commissioning of the Twelve Apostles is an episode in the ministry of Jesus that appears in the three Synoptic Gospels. It relates the initial selection of the Twelve Apostles among the disciples of Jesus. [20] [21] In the Gospel of Matthew, this event takes place shortly before the miracle of the man with a withered hand.
Jesus Christ Superstar is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice.Loosely based on the Gospels' accounts of the Passion, the work interprets the psychology of Jesus and other characters, with much of the plot centred on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples.
Songs performed included several that Cash had previously recorded for records such as The Holy Land and Hello, I'm Johnny Cash ("He Turned the Water Into Wine" and "Jesus Was a Carpenter", respectively), along with cover versions of the Larry Gatlin song "Help Me" (which is titled simply "Help" on this release) and "Follow Me" by John Denver.
Orson Pratt, a member of the Quorum of the Twelve Apostles of the church, drew attention to the account of the Three Nephites while speaking at a conference in Salt Lake City in 1855, and alluded to the possibility that the three men might still be upon the earth: [8]
The song's origins are uncertain; however, its nearest known relative is the English folk song "The Twelve Apostles." [2] Both songs are listed in the Roud Folk Song Index as #133. Parallel features in the two songs' cumulative structure and lyrics (cumulating to 12 loosely biblical references) make this connection apparent.