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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
Ndop frequently portray the ruler carrying a weapon in his left hand, an ikul or peace knife, made in the style reserved for the Bushoong, the dominant sub-group of the Kuba. The wooden portraits were kept in the king's quarters with other sculptures referred to as 'royal charms', upon which the king's magical powers rested.
With the 1994 exhibition of East African art objects in Germany, the organisers wanted to make "a previously unknown rich cultural landscape accessible to the wider public." The presentation of the sculptures as works of art from Africa was supplemented by art-historical and ethnological information in the accompanying catalogue. [7]
Modern Makonde art is an integration of dated practices of woodwork met with a demand of artistic woodcarving of the modernized world. After the introduction of road systems in the plateaus between Tanzania and Mozambique by Portuguese troops during World War I, the traditional sense of the practice began to shift to meet new social and economic demands. [3]
In some carvings the bishop appears as a witch doctor (native to 19th century east African culture). The pawn is carved in the style of an ordinary Makonde tribesman. Makonde chess sets are usually carved from african blackwood, known as mpingo (the black pieces) and a kind of rosewood (the white pieces). Chess sets of this style are still ...
Wooden Door (Ilekun) with carved motifs Iron and wood staff (Opa Orisha Oko); 19th century; Brooklyn Museum. The Orí-Inú, or the inner spiritual head, is very important to the Yoruba people. One's Orí-Inú is very important in terms of existing in the world. The priority goes to the Orí for any household. Thus, shrines are built in the houses.
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
Masks are often carved of the wood of Ceiba pentandra, the faux kapokier. They are carved in three major styles that correspond to the styles of the ancient people who were conquered in 1500 by the invading Nakomse and integrated into a new Mossi society: In the north masks are vertical planks with a round concave or convex face.
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