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"The Crystal Ship" is a song by American rock band the Doors, from their 1967 debut album The Doors, and the B-side of the number-one hit single "Light My Fire". It was composed as a love song to Jim Morrison's first serious girlfriend, Mary Werbelow, shortly after their relationship ended. The song borrows from elements from baroque music. [5]
The use of the Doors song "The End", from their debut album, in the popular Vietnam War film, Apocalypse Now in 1979 and the release of the first compilation album in seven years, Greatest Hits, released in the fall of 1980, created a resurgence in the Doors. Due to those two events, an entirely new audience, too young to have known of the band ...
The Complete Studio Recordings is a seven compact disc box set by American rock group the Doors, released by Elektra on November 9, 1999. It contains six of the original nine Doors albums, digitally remastered with 24 bit audio. The album includes previously unreleased tracks that had surfaced on The Doors: Box Set, on disc seven. The albums ...
Ray Manzarek – keyboards on "Her Majesty" and "Crystal Ship" John Densmore – drums, percussion on "Her Majesty" and "Crystal Ship", timbales on "I'm Gonna Tell On You" Lisa Brennis – bass on "I'm Gonna Tell On You" Don Preston – keyboards on "Street Fighting Man" Arthur Barrow – bass, keyboards; Bruce Gary – drums, percussion
The Crystal Ship; Easy Ride (Doors song) The End (The Doors song) End of the Night; Five to One; Get Up and Dance (The Doors song) The Ghost Song (Doors song) Gloria (Them song) Hello, I Love You; Horse Latitudes (song) Hyacinth House; I Looked At You; In the Midnight Hour; Indian Summer (The Doors song) L.A. Woman (song) Light My Fire; Love ...
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Live at the Aquarius Theatre: The First Performance is a double live album by American rock band the Doors. It was recorded at the Aquarius Theatre in Hollywood on July 21, 1969. The album contains the band's first performance that day. The second show can be found on Live at the Aquarius Theatre: The Second Performance.
On November 22, 2008, recording engineer Peter Abram revealed in an online posting [3] the equipment he used to record the Doors at The Matrix: I used an Akai tape recorder (tubes), 4 Calrad mics on the stage and a Calrad mic mixer on the instrumental channel. On the vocal channel: a Knight mixer with 3 Electrovoice 676 and Shure mics.