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The Marks Project (TMP) encourages you to be curious, to discover ceramic artists, and to identify marks. TMP brings ceramic artists and sculptors working in the USA from 1945 onward to you.
Make your mark — support TMP. Let’s work together to complete the history of American studio and contemporary ceramics. Every donation, large or small, is important, needed, and appreciated. You support the work of producing and sustaining.
Make your mark — support TMP. Let’s work together to complete the history of American studio and contemporary ceramics. Every donation, large or small, is important, needed, and appreciated. You support the work of producing and sustaining.
Bill Campbell is known for porcelain pottery and vessels. Forming methods are wheel thrown, ram press and slip cast. Surface techniques include in-house formulated glazes and crystalline glaze.
Collector's Encyclopedia of Sascha Brastoff: Identification & Values. Paducah, KY: Collector Books, 1995.
Jerry Brown, 9 th generation potter, is known for wheel thrown functional pottery including stoneware face jugs. Steeped in the southern pottery tradition, his glazes consist of Albany slip, Bristol and ash glazes, and traditional combination of cobalt stain and white glaze.
Chester Nicodemus is known for mold-made small earthenware birds created with locally sourced clay. Nicodemus also made functional pottery, such as teapots and pitchers, and small animal sculptures. Nicodemus founded and produced his ceramics at Nicodemus Ferro-Stone Ceramics in Clintonville, Ohio. Upon his death all molds were destroyed.
Make your mark — support TMP. Let’s work together to complete the history of American studio and contemporary ceramics. Every donation, large or small, is important, needed, and appreciated. You support the work of producing and sustaining.
Although known primarily as a ceramic sculptor, in the 1960s Sperry shifted his shifted his focus to filmmaking and traveled to document Japanese folk potters in "Village Potters of Onda" (1966). At the end of the 1960s, he returned to functional pottery. The 1970s were a decade of experimentation.
Make your mark — support TMP. Let’s work together to complete the history of American studio and contemporary ceramics. Every donation, large or small, is important, needed, and appreciated. You support the work of producing and sustaining.