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The Studio International – an illustrated magazine of fine and applied art. 1893–1980. Illustrated. Only volumes out of copyright are held. The Wide World Magazine (Pub. by George Newnes). Travel and adventure magazine (1898–1965). Hundreds of b/w photos and drawings by top illustrators of the Victorian/ Edwardian period. Art International
In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. [a] An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance. [1]
Colors also have value; for example, yellow has a high value while blue and red have a low value. If you take a black and white picture of a colorful scene, all you are left with are the values. This important element of design, especially in painting and drawing, allows the artist to create the illusion of light through value contrast. [6]
The Dictionary of Art was first offered online on 12 November 1998 by Grove Dictionaries (New York) under the title The Grove Dictionary of Art Online. [3] [4] The online version is now published by Oxford University Press, is updated three times a year, is available by subscription and includes some extra content. In the UK, many public ...
Art valuation, an art-specific subset of financial valuation, is the process of estimating the market value of works of art. As such, it is more of a financial rather than an aesthetic concern, however, subjective views of cultural value play a part as well.
Languages of Art: An Approach to a Theory of Symbols is a book by the American philosopher Nelson Goodman. It is a work of 20th century aesthetics in the analytic tradition. Originally published in 1968, it was revised in 1976. Goodman continued to refine and update these theories in essay form for the rest of his career.
In the latter, Sontag argues that the new approach to criticism and aesthetics neglects the sensuous impact and novelty of art, instead fitting works into predetermined intellectual interpretations and emphasis on the "content" or "meaning" of a work. The book was a finalist for the Arts and Letters category of the National Book Award. [1]
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