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A plot summary is not a recap. It should not cover every scene or every moment of a story. A summary is not meant to reproduce the experience of reading or watching the work. In fact, readers might be here because they didn't understand the original. Just repeating what they have already seen or read is unlikely to help them.
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
Creative nonfiction: factual narrative presented in the form of a story so as to entertain the reader. Personal narrative: a prose relating personal experience and opinion to a factual narrative. Essay: a short literary composition, often reflecting the author's outlook or point of view. Position paper
The term plot can also serve as a verb, as part of the craft of writing, referring to the writer devising and ordering story events. (A related meaning is a character's planning of future actions in the story.) The term plot, however, in common usage (e.g., a "film plot") more often refers to a narrative summary, or story synopsis.
The ascending three, where each event is of more significance than the preceding, for example, the hero must win first bronze, then silver, then gold objects. The contrasting three, where only the third has positive value, for example, The Three Little Pigs, two of whose houses are blown down by the Big Bad Wolf.
An example of a "bonus material" style inner story is the chapter "The Town Ho's Story" in Herman Melville's novel Moby-Dick; that chapter tells a fully formed story of an exciting mutiny and contains many plot ideas that Melville had conceived during the early stages of writing Moby-Dick—ideas originally intended to be used later in the ...
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How to Tell a Story and Other Essays (March 9, 1897) [1] is a series of essays by Mark Twain. All except one of the essays were published previously in magazines. The essays included are the following: How to Tell a Story (originally published October 3, 1895). In Defence of Harriet Shelley (August 1894). Fenimore Cooper's Literary Offences ...
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