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The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
In Roman Catholic teachings, the veneration of Mary is a natural consequence of Christology: Jesus and Mary are son and mother, redeemer and redeemed. [9] This sentiment was expressed by Pope John Paul II in his encyclical Redemptoris mater: "At the centre of this mystery, in the midst of this wonderment of faith, stands Mary.
Catholic Mariology is the systematic study of the person of Mary, mother of Jesus, and of her place in the Economy of Salvation [1] [2] [3] in Catholic theology.According to the doctrine of the Immaculate Conception taught by the Catholic Church, Mary was conceived and born without sin, hence she is seen as having a singular dignity above the saints, receiving a higher level of veneration than ...
As Mater Dolorosa, it is also a key subject for Marian art in the Catholic Church. The Seven Sorrows of Mary are a popular religious theme and a Catholic devotion. In common imagery, the Virgin Mary is portrayed sorrowful and in tears, with one or seven swords piercing her heart, iconography based on the prophecy of Simeon in Luke 2:34–35.
Immaculate Heart of Mary. The Immaculate Heart of Mary (Latin: Cor Immaculatum Mariae) is a Catholic devotion which refers to the view of the interior life of Mary, her joys and sorrows, her virtues and hidden perfections, and, above all, her virginal love for God the Father, her maternal love for her son Jesus Christ, and her motherly and compassionate love for all mankind. [1]
The rose was a privileged symbol for Mary. One of her titles in Catholic Marian devotion is Rosa Mystica or Mystic Rose. During the Middle Ages, the rose became an attribute of many other holy women, including Elizabeth of Hungary, Elizabeth of Portugal and Casilda of Toledo, and of martyrs in general. The rose even became a symbol for Jesus ...
Nonetheless, in this period a number of significant Marian churches were built, often laden with Marian symbols, and popular Marian devotions continued in many areas. An example is Santa Maria della Salute in Venice, built to thank the Virgin Mary for the city's deliverance from the plague. The church is full of Marian symbolism: the great dome ...
The Pontiff’s intense devotion to the Holy Virgin is manifested in this manner. [4] John Paul wrote: "As is well-known, in my episcopal arms, which are a symbolic illustration of the gospel text John 19:25-27." [5] ("Standing by the cross of Jesus were his mother and his mother's sister, Mary the wife of Clopas, and Mary of Magdala. When ...