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Carol Greene Duncan is a Marxist-feminist scholar known as a pioneer of ‘new art history’, a social-political approach to art, who is recognized for her work in the field of Museum Studies, particularly her inquiries into the role that museums play in defining cultural identity.
Those who criticize identity politics from the left, such as Marxists and Marxist–Leninists, see identity politics as a version of bourgeois nationalism, i.e. as a divide and conquer strategy by the ruling classes to divide people by nationality, race, ethnicity, religion, etc. so as to distract the working class from uniting for the purpose ...
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures.As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
Articles relating to identity politics, a political approach wherein people of a particular gender, religion, race, social background, class or other identifying factor develop political agendas and organize based upon the interlocking systems of oppression that may affect their lives and come from their various identities. Identity politics ...
Romantic nationalism, resulting from this interaction between cultural production and political thought, became "the celebration of the nation (defined in its language, history and cultural character) as an inspiring ideal for artistic expression; and the instrumentalization of that expression in political consciousness-raising". [3]
Political identity development is the process how an individual decides on their identity around political issues. Political identity is not limited to partisan identification , but deals with many aspects of how individuals define their political beliefs, attitudes, issue preferences and how an individual relates to their political environment.
Catherine Liu (born 1964) is an American cultural theorist and author whose areas of research include Sinophone cinema, French literature, critical theory, identity politics, and visual arts. She is known for her critique of the professional–managerial class.
Alternately, "politicization of aesthetics" (or "politicization of art") has been used as a term for an ideologically opposing synthesis, [2] wherein art is ultimately subordinate to political life and thus a result of it, separate from it, but which is attempted to be incorporated for political use as theory relating to the consequential ...