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The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Second Version of Triptych 1944 1988 Catalogue Raisonné Number 88-05 Oil and Aerosol Paint on Canvas 198 x 147.5cm (78 x 58 in) Tate, London The second version of Three Studies for Figures at the Base of a Crucifixion (1944). Painted by Bacon after the 1944 triptych was deemed too fragile to travel to New York for an exhibition. Triptych 1991 1991
In Triptych Inspired by T. S. Eliot's poem "Sweeney Agonistes", Bacon shows a couple erotically entwined in the right-hand panel, while a clothed male figure stands looking at them. The left-hand panel shows another couple, in full view, lying in Post-coital tristesse. Here, Bacon is looking at the notion of voyeurism as an ideal prelude to ...
Trinity Triptych; Triptych; Triptych Bleu I, II, III; Triptych Inspired by the Oresteia of Aeschylus; Triptych of the Annunciation; Triptych of the Madonna of Humility with Saints; Triptych of the Sedano family; Triptych with Scenes from the Life of the Virgin; Triptych with the Virgin and Child, Saints and Donors; Triptych–August 1972 ...
James Francis Gill (born 1934) is an American artist and one of the protagonists of the Pop art movement. [1]In 1962, the Museum of Modern Art included his Marilyn Tryptych [2] into its permanent collection. [3]
The Dresden Triptych (or Virgin and Child with St. Michael and St. Catherine and a Donor, or Triptych of the Virgin and Child) is a very small hinged-triptych altarpiece by the Early Netherlandish painter Jan van Eyck. It consists of five individual panel paintings: a central inner panel, and two double-sided wings.
Study for a Self-Portrait—Triptych, 1985–86 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Marlborough International Fine Art) (large triptych) Portrait of Gilbert de Botton Speaking (Oil on canvas, Private collection) [80] 1987. Triptych 86–87 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection) (large triptych)
Second Version of Triptych 1944 is a 1988 triptych painted by the Irish-born artist Francis Bacon. It is a reworking of Three Studies for Figures at the Base of a Crucifixion , 1944, Bacon's most widely known triptych, and the one which established his reputation as one of England's foremost post-war painters.