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Prior to that period, the dead were usually cremated and placed in marble ash chests or ash altars, or were simply commemorated with a grave altar that was not designed to hold cremated remains. Despite being the main funerary custom during the Roman Republic, ash chests and grave altars virtually disappeared from the market only a century ...
Memorial bench with plaque ("In loving memory of Peter Charles Longman, 1946-2018") in the City of London. A memorial bench, memorial seat or death bench is a piece of outdoor furniture which commemorates a dead person. Such benches are typically made of wood, but can also be
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials , which may or may not contain remains, and a range ...
The term is especially often used for funerary urns, vessels used in burials, either to hold the cremated ashes or as grave goods, but is used in many other contexts. Large sculpted vases are often called urns, whether placed outdoors, in gardens or as architectural ornaments on buildings, or kept inside.
The ashes were interred either in or next to the cremation site (in which case the funeral place was a bustum) or interred elsewhere, in which case the cremation place was known as ustrinum (plural, ustrina); the deceased could be commemorated both at the ustrinum and the place of ash-burial.
The Latin word olla or aulla (also aula) meant a very similar type of pot in Ancient Roman pottery, used for cooking and storage as well as a funerary urn to hold the ashes from cremation of bodies. Later, in Celtic Gaul, the olla became a symbol of the god Sucellus, who reigned over agriculture.
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