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The Blue Bird is a partsong (Op. 119 No. 3) composed by Charles Villiers Stanford in 1910. It is set to the words of L'Oiseau Bleu, a poem by Mary Elizabeth Coleridge, which depicts a blue bird in flight over a lake. It is written for SAATB choir: soprano, divided altos, tenor and bass.
"Bluebird" is a song written by Paul and Linda McCartney and originally performed by the British rock band Wings, released on their 1973 album Band on the Run. According to author John Blaney, it was written during a vacation in Jamaica . [ 4 ]
"Bluebird" is a song recorded by the American rock group Buffalo Springfield. It was written and produced by Stephen Stills, with co-production by Ahmet Ertegun. In June 1967, Atco Records released it as a single to follow-up their hit "For What It's Worth" (1966). "Bluebird" reflects various influences and musical approaches.
The song had first been recorded by its composer Ron Irving in 1980 as "Bluebird Lullaby", [2] reaching number 28 on the RPM Country 50 Singles chart in March 1981: [3] Irving, a native of Powell River (BC) then playing guitar and singing in lower mainland clubs, had written the song to be performed at his wedding. [2]
"Bluebird" debuted at number 38 on the Billboard Hot Country Songs chart dated November 11, 2019, ahead of its release as a single. [8] It debuted at number 53 on the Billboard Country Airplay chart dated December 28, 2019, [9] and debuted at number 81 on the Billboard Hot 100 chart dated April 17, 2020. [10]
"Blue Bird" (파랑새 parang sae or 파랑새요 [1]) is a Korean folk song.It originates from the Donghak Peasant Revolution. [2]The song begins: [3] "Blue bird, blue bird, lovely blue bird, Do not sit on green bean ..(새야 새야 파랑새야 녹두밭에 앉지마라)" [1]
"Message to Michael" is a song written by Burt Bacharach and Hal David, that has been a hit for several different artists under several different titles. The song was first recorded as "Message to Martha" by Jerry Butler in 1962. In 1964, singer Lou Johnson had a minor US hit with the song, with the title "Kentucky Bluebird".
It consists of virtuosic arpeggiated chords, and octaves flying all over the keyboard. The time and key revert to the original G minor, and 3 4. Variation XIV. The final variation, fourteen, is a huge prestissimo. The theme is pounded in fast octave chords, and climbs up the keyboard. Ends with a low e flat octave, marked lunga with a fermata ...
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