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Basso profondo (Italian: [ˈbasso proˈfondo], "deep bass"), sometimes basso profundo or contrabass, is the lowest bass voice type.. While The New Grove Dictionary of Opera defines a typical bass as having a range that extends downward to the second E below middle C (E 2), [1] operatic bassi profondi can be called on to sing low C (C 2), as in the role of Baron Ochs in Der Rosenkavalier.
The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice. In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5). [2]
The bass singing voice has a vocal range that lies around the second E below middle C to the E above middle C (i.e., E 2 –E 4). [1] As with the contralto singing voice being the rarest female voice type, the bass voice is the rarest for males, and has the lowest vocal range of all voice types. [2]
More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E 2 –E 4).
The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F 5). [1] The term tenor was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre ...
Successful non-classical baritones display a wide range of vocal qualities and effects that lend a unique character to their voices, many of which are considered undesirable in the operatic or classical baritone singer, such as "breathy" , [3] "distinguished…crooner" , [4] "growling" (Neil Diamond), [5] and even "ragged" (Bruce Springsteen).
For example, one category of voice in opera is a contralto, which is the lowest female voice in the operatic system. One of the qualifying characteristics of this voice is a deep and dark quality to the vocal sound. This quality is not entirely innate to the voice, but is developed through classical vocal training. So although a singer in ...