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Some windows survive from an earlier Chartres Cathedral, such as the three lancets on the west front (1145–1155, contemporary with those made for Abbot Suger at the Basilica of Saint-Denis) and the lancet south of the choir known as 'Notre-Dame de la Belle Verrière', famed for its Chartres blue (1180).
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
As the cathedral was rebuilt, the famous west rose window was installed between the two towers (13th century), [29] and in 1507, the architect Jean Texier (also sometimes known as Jehan de Beauce) designed a spire for the north tower, to give it a height and appearance closer to that of the south tower. This work was completed in 1513.
The rose window on the west façade of Toledo Cathedral (late 15th century) is a good example. [ 50 ] Juan de Colonia and his son Simón de Colonia , originally from Cologne, are other notable architects of the Isabelline style; they were the chief architects of the flamboyant features of Burgos Cathedral (1440–1481), including the openwork ...
Following the west window of Chartres, more daring Gothic windows were created at the Collegiate Church of Notre-Dame in Mantes and in the dynamically sculptural facade of Laon Cathedral (which also, unusually, has a rose window in its eastern end as well as in it transept ends). These windows have large lights contained in tracery of a ...
The flying buttresses matured, and after they were embraced at Notre-Dame de Paris and Notre-Dame de Chartres, they became the canonical way to support high walls, as they served both structural and ornamental purposes. The main body of Chartres Cathedral (1194–1260), Amiens Cathedral, and Bourges Cathedral are also representatives of the style.
Amiens Cathedral showing the three portals and rose window. The plan is cruciform but the transepts do not project beyond the aisles, giving the church a compact appearance. The eastern end of the building has an apse surrounded by a cluster of lower radiating chapels called a chevet. There is an emphasis on verticality.
The rose windows of early- and high-Gothic cathedrals, such as the example in the north transept of Laon Cathedral (1170s) or the west facade at Chartres (c. 1210), also employed plate tracery. This greatly limited the overall amount of light admitted to the interior by these windows, as well as restricting the complexity of patterns that could ...
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