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"The Sweetest Sounds" is a popular song, with words and music written by Richard Rodgers for the 1962 musical No Strings. The song opens and closes the show for characters Barbara Woodruff and David Jordan, performed by Diahann Carroll and Richard Kiley in the original Broadway theatre production and subsequent cast recording .
"Chief Seattle" Orator and Orchestra with Folk Instruments: - Chief Seattle's 1854 speech recited while the orchestra presents its ideas and images in sound. “Salute: To the Men and Women of the American Armed Forces” for Band arranged from the first movement of the "American Bicentennial" Sonata No. 4 for Piano
Carlo Savina came from a musical family—his father was the first clarinettist for the orchestra of an Italian public radio broadcaster EIAR.Carlo learned the violin as a child and went on to graduate from the Conservatory of Music Giuseppe Verdi in Turin where he studied piano, violin, composition, and conducting.
At bar 80, there is one bar of alla breve, with descending crotchets in unison through the entire orchestra. Again in 6 8, this section sees the introduction of the bells (or Piano playing in Triple Octaves) and fragments of the "witches' round dance". The "Dies irae" begins at bar 127, the motif derived from the 13th-century Latin sequence. It ...
Nyman in 2015. Michael Laurence Nyman, CBE (born 23 March 1944) is an English composer, pianist, librettist, musicologist, and filmmaker.He is known for numerous film scores (many written during his lengthy collaboration with the filmmaker Peter Greenaway), and his multi-platinum soundtrack album to Jane Campion's The Piano.
75 Best Stoic Quotes "You have power over your mind—not outside events. Realize this, and you will find strength.” - Marcus Aurelius “Luck is what happens when preparation meets opportunity.”
The song starts with a piano introduction from Maurice Gibb, the bass and drums come in at 0:37. The orchestra was conducted by Bill Shepherd, with a powerful lead vocal from Barry Gibb. Personnel
The idea of a concertante work for piano and orchestra came indirectly from Debussy, who had written to his publisher Jacques Durand that he was thinking of a series of Concerts for piano and various instrumental groups. After Debussy's death in 1918, Durand suggested the idea to Fauré.