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The Trinity Altarpiece. The Trinity Altarpiece, also known as the Trinity Altar Panels, is a set of four paintings in oil on wood thought to have been commissioned for the Trinity College Kirk in Edinburgh, Scotland, in the late fifteenth century. [1] The panels are now part of the British Royal Collection and are loaned to the Scottish ...
The Pala delle Convertite or The Trinity with Saints Mary Magdalen and John the Baptist, (the museum's name) or Holy Trinity, is an altarpiece by the Italian Renaissance painter Sandro Botticelli and his workshop, traditionally dated to c. 1491–1493.
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
The Pietà of Villeneuve-lès-Avignon in the Louvre, c. 1455. Enguerrand Quarton (or Charonton) (c. 1410 – c. 1466) was a French painter and manuscript illuminator whose few surviving works are among the first masterpieces of a distinctively French style, very different from either Italian or Early Netherlandish painting.
The donor portrait of Hippolyte de Bertohoz on the left wing of the Saint Hippolytus Altarpiece and Edward Bonkil's head painted on the right wing of the Trinity Altarpiece show a similar realism in the treatment of portraits by van der Goes. [9] The Portrait of a Man at Prayer with Saint John the Baptist (Walters Art Museum) shows similar ...
The complete altarpiece is composed of six panels, four of which depict Saint Sebastian's martyrdom, including the Saettatura. [1] The others are: the Judgment; the Flagellation; the Deposition – all of Sebastian; While the two remaining panels depict: the Holy Trinity; the Madonna of Humility; One reconstruction of the altarpiece's main face
Resurrection of Christ, panel from an altarpiece set, 1450–90, with remains of the paint Fifteenth-century altarpiece set, with contemporary frame and well-preserved paint Nottingham alabaster is a term used to refer to the English sculpture industry, mostly of relatively small religious carvings, which flourished from the fourteenth century ...
The crowded altarpiece depicts the Trinity, with God the Father holding a crucifix with a still-alive Jesus. Above them, in a cloud of light surrounded by cherubim, is the Holy Spirit in the form of a dove. God the Father wears an imperial crown and a wide gilt cloak, lined in green and supported by angels.