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Clairvoyance (/ k l ɛər ˈ v ɔɪ. ə n s /; from French clair 'clear' and voyance 'vision') is the claimed ability to acquire information that would be considered impossible to get through scientifically proven sensations, thus classified as extrasensory perception, or "sixth sense".
Cold reading is a set of techniques used by mentalists, psychics, fortune-tellers, and mediums. [1] Without prior knowledge, a practiced cold-reader can quickly obtain a great deal of information by analyzing the person's body language, age, clothing or fashion, hairstyle, gender, sexual orientation, religion, ethnicity, level of education, manner of speech, place of origin, etc. during a line ...
[citation needed] These people were known as seers or prophets, and in later times as clairvoyants (French word meaning "clear sight" or "clear seeing") and psychics. Seers formed a functionary role in early civilization, often serving as advisors, priests, and judges. [11] A number of examples are included in biblical accounts.
Through the legend of the clairvoyant "veiled lady" (who later turns out to be real), the stagecraft and duplicity of Spiritualism is contrasted with the failed Utopian ideals of the Blithedale community. [1] [2] Robert Browning, Mr Sludge, "The Medium", narrative poem, first published in Dramatis Personae (1864).
A distant reading, "traveling clairvoyance", or "remote perception" can be conducted without the reader ever meeting the client. [15] This includes letters, telephone, text messaging, email, chat, and webcam readings. Correspondence readings are usually done via letters, later emails and filling in special forms on psychic websites. [16]
The HBO Max Original documentary 'Call Me Miss Cleo' tries to decipher whether '90s TV psychic Miss Cleo was a gifted tarot card reader or just a master of deceit.
C. S. Lewis, in his work on English literature, highlighted the transformation in how magic was perceived and portrayed. In medieval stories, magic had a fantastical and fairy-like quality, while in the Renaissance, it became more complex and tied to the idea of hidden knowledge that could be explored through books and rituals.
This sense is catalogued in the Oxford English Dictionary from 1883, but it seems only to have entered general usage in the 1960s. In Mary Shelley's Frankenstein, Robert Walton mentions the poem by name and says of an upcoming journey that "I shall kill no albatross", clearly a reference to the poem by Shelley's close acquaintance, Coleridge.