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Kuragala inscription (No. 1). Written in early Brahmin scripts and old Sinhala language, it is belonged to the 2-1 centuries BC. [7]The extensive investigations, carried out by the archaeological department at the Kuragala, uncovered evidences that the caves at the site were using as a Buddhist monastery during the period between 3rd century BC and first century AD.
The other pathway used by devotees going down, has the temple of Banai, Khandoba's second wife. [15] This temple looks like a hill fort, and is known as Jejuri gad (transl. Jejuri fort). [6] The eight-sided, 350 yards (320 m) long fort boundary encloses a cloister courtyard, with the main temple shrine at the center. [15]
A jatra (temple festival and fair) is held in Pember on Champa-shasthi; the festival continues until the new moon. [58] Deshastha Brahmans and Marathas also observe the annual Champa-Shashthi festival. The images of Khandoba and Malla are cleaned and worshipped. For six days, a fast is observed.
Hindu temples, the first instances of which are known from the Gupta period in the 4th-5th century CE, seem to have borrowed influences from early Buddhist Chaitya Caves such as the Karla Chaitya, especially in the apsidial design, as seen in Durga temple in Aihole.
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Kurla lies on the southern end of Salsette Island along the east bank of the Mithi River. Kurla may be divided into two parts: Kurla (East) and Kurla (West), separated by the Central Railway line. Kurla East is bordered by the suburban neighbourhoods of Chunabhatti in the south, Chembur in the East and Ghatkopar in the North.
The Kailasa temple (Cave 16) is the largest of the 34 Hindu, Buddhist, and Jain cave temples and monasteries known collectively as the Ellora Caves, ranging for over two kilometres (1.2 mi) along the sloping basalt cliff at the site. [5] Most of the excavation of the temple is generally attributed to the eighth century Rashtrakuta king Krishna ...
The period of the imperial Cholas (c. 850 CE – 1250 CE) in South India was an age of continuous improvement and refinement of Chola art and architecture.They utilised the wealth earned through their extensive conquests in building long-lasting stone temples and exquisite bronze sculptures, in an almost exclusively Dravidian cultural setting.