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Los Angeles County Museum of Art, Los Angeles, California, USA: More than 1,600 artifacts [50] Musée des Beaux-Arts de Lyon, Lyon, France: 1,500 artifacts [51] Art Museum of the University of Memphis, Memphis, Tennessee, USA: More than 1,400 artifacts [52] Museu Egipci de Barcelona , Barcelona, Spain: 1,100 artifacts
John Phillip Law (September 7, 1937 – May 13, 2008) was an American film actor. [1]Following a breakthrough role as a Russian sailor in The Russians Are Coming, the Russians Are Coming (1966), Law became best known for his roles as gunfighter Bill Meceita in the spaghetti western Death Rides a Horse (1967) with Lee Van Cleef, the blind angel Pygar in the science fiction film Barbarella (1968 ...
Grauman's Egyptian Theatre, also known as Egyptian Hollywood and the Egyptian, is a historic movie theater located on Hollywood Boulevard in Hollywood, Los Angeles, California. [1] Opened in 1922, it is an early example of a lavish movie palace and is noted as having been the site of the world's first film premiere .
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The Egyptian Building is a building in The Commons at Chino Hills, a small shopping mall in Chino Hills, California imitating the style of the temples of Abu Simbel in Egypt. It can be seen while driving on SR 71 and attracts tourists and locals alike.
The creators of the park, Palisades Amusement and Exhibition Company, published a book titled "Egypt Through the Centuries" in 1892. [3] Many of the other theatres that copied Grauman's Egyptian Theatre were part of the wave of Egyptian Revival architecture that occurred after the November 1922 discovery of King Tut's tomb by Howard Carter.
The Million Dollar was the first movie house built by entrepreneur Sid Grauman in 1918 as the first grand cinema palace in L.A. [6] Grauman was later responsible for Grauman's Egyptian Theatre and Grauman's Chinese Theatre, both on Hollywood Boulevard, and was partly responsible for the entertainment district shifting from downtown Los Angeles to Hollywood in the mid-1920s.
This Egyptian Revival funerary architecture was generally an extravagance of American tycoons who wanted themselves remembered as long and as well as the ancient pharaohs. Many of these date from the 1890s to the 1920s, when older, more modest expressions of "Egyptomania" gave way to "Egyptian temples or pyramids replete with guardian sphinxes ...