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In some contexts, the term stress or stress accent specifically means dynamic accent (or as an antonym to pitch accent in its various meanings). A prominent syllable or word is said to be accented or tonic; the latter term does not imply that it carries phonemic tone. Other syllables or words are said to be unaccented or atonic.
In more complex types of pitch-accent languages, although there is still only one accent per word, there is a systematic contrast of more than one pitch-contour on the accented syllable, for example, H vs. HL in the Colombian language Barasana, [5] accent 1 vs. accent 2 in Swedish and Norwegian, rising vs. falling tone in Serbo-Croatian, and a ...
Note that in both cases, the pitch accent remains linked to the stressed syllable and the edge tone remains at the end of the phrase. Just as the same contour can apply to different phrases (e.g. (1) and (2)), different contours can apply to the same phrase, as in (2) and (3). In (3) the H* pitch accent is replaced with an L* pitch accent. (1) (2)
Regional dialects in North America are historically the most strongly differentiated along the Eastern seaboard, due to distinctive speech patterns of urban centers of the American East Coast like Boston, New York City, and certain Southern cities, all of these accents historically noted by their London-like r-dropping (called non-rhoticity), a feature gradually receding among younger ...
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
An agogic accent is an emphasis by virtue of notes being longer in duration. Accents that don't correspond to the stressed beats of the prevailing meter are said to be syncopated . For example, in common time , also called 4/4, the most common metre in popular music , the stressed beats are one and three.
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the acute accent (née) and grave accent (English poetry marking, changèd), modifying vowels or marking stresses; the circumflex (entrepôt), borrowed from French; the diaeresis (Zoë), indicating a second syllable in two consecutive vowels; the tittle, the dot found on the regular small i and small j, is removed when another diacritic is required