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The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas , spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid , where it garnered the first gold medal (out of three). [ 1 ]
Spoliarium of Juan Luna displayed at Philippine National Museum of Fine Arts. In 1883, Luna commenced work on the painting commissioned by the Ayuntamiento. By May 1884, he dispatched the expansive canvas portraying the Spoliarium to Madrid for the annual Exposición Nacional de Bellas Artes. Remarkably, he became the inaugural recipient of one ...
It was painted by Luna when he was a student of the school of painting in the Real Academia de Bellas Artes de San Fernando (Royal Academy of Fine Arts of San Fernando) in Madrid, Spain in 1877. Alejo Valera, a Spanish painting teacher, took Luna as an apprentice and brought him to Rome where Luna created Las Damas Romanas in 1882. [ 5 ]
Hymen, oh Hyménée! is a history painting done in the historical realism style, which is closely associated with Luna's earlier notable works such as Spoliarium (1884) and The Death of Cleopatra (1881). This artwork portrays a scene from a Roman wedding ritual, specifically the moment when the bride is entering the groom's chamber.
Painted by Luna in 1887, the masterpiece is about the Battle of Lepanto of October 7, 1571. The painting features Don Juan of Austria (also known as Don John of Austria) in battle while at the bow of a ship. It is one of the “huge epic canvasses” painted by Luna (the others are the Spoliarium and The Blood Compact). [6] [7]
Teacher and first social worker in the country. Authored The Evolution of Philippine Social Work. Philippine Women's University, Taft Ave. Filipino October 10, 1994 Jose P. Laurel (1891–1959) President of the Second Philippine Republic from 1943 to 1945. Laurel Monument, Roxas Blvd. Filipino 2008 Manila Yacht Club: Building Social Club
But something else happened as well — something much less predictable and much more surprising. Individuals around the world took up Cliteracy as a rallying cry. From college campuses in the midwest to the spray-painted remnants of the Berlin Wall, the clitoris is popping up in unexpected places. Wallace’s work has sparked a conversation.
In a scene towards the end of the film, the bodies of Luna and Román are dragged across the courtyard in a manner highly reminiscent of the Spoliarium, a painting which has served as artistic icon of Filipino nationalism, painted in 1884 by Luna's own brother, Juan Luna. [65]